女導演的情愫與景觀

女導演的情愫與景觀

2021/09/13
2022/10/16
李美彌見證台灣影視50年
展覽頁面呈現形式
橫式
策展者
魏時煜
國家電影及視聽文化中心
展覽封面
f7815801fab957b6c9fe61d70a9e5c43
展覽資料
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這段時期累積的經驗讓她掌握了電影製作各個方面的技巧。</div><div>1970-1972年間,她擔任5部電影的場記,還以副導演、策劃的身分參與近10部電影。1975年當大部分電影導演還沒有進入電視劇拍攝時,她就率先以副導演身份參與台灣首部自製影集《寒流》的製作,之後作為「台視最年輕的戲劇導演」,完成兩部有口皆碑的電視連續劇:由美國女留學生羅珊主演的《美國草地人》和當時引起街頭巷尾熱議的《好阿伯》。</div>", "musicName": "無", "weight": 3, "musicText": "", "musicURL": "" }, "basic-slill6xpn7": { "id": "basic-slill6xpn7", "type": "basic", "sortable": true, "primaryObj": { "oid": "fa50c9eb73c9ac2b5de3856c726a7ef4", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/8511c72daf42e4ff404346c9b9516a32.jpg?itok=SGOPLEqO", "level": "primary", "title": "李美彌(個人照)", "desc": "李美彌自世界新聞專科學校(即世新大學)畢業前於台灣大學的校園內拍照留影。(經2021年5月4日 訪談李美彌導演確認)", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/8511c72daf42e4ff404346c9b9516a32.jpg?itok=YpY44sQx", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/8511c72daf42e4ff404346c9b9516a32.jpg?itok=tMW1nvBp", "thumbBigURI": 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"" }, "basic-xg53u97dzj": { "id": "basic-xg53u97dzj", "type": "basic", "sortable": true, "primaryObj": { "oid": "5203a0d2e57feeb8bde7e707aac35853", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/11e81abfa73c16418a23426003d04f27.jpg?itok=LKN3fdNy", "level": "primary", "title": "《封神榜》現場工作照", "desc": "右起:美術指導三上陸男、導演山內鐵也、攝影師黑田恆生、場記李美彌。\n照片背面手寫註記:封神榜 場記。\n此為電影《封神榜》1969年在台中后里拍攝現場的合影。(經2021年5月4日 訪談李美彌導演確認)", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/11e81abfa73c16418a23426003d04f27.jpg?itok=WL2j65Wc", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/11e81abfa73c16418a23426003d04f27.jpg?itok=4swcJ16t", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/11e81abfa73c16418a23426003d04f27.jpg?itok=DrXLNLd-", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/11e81abfa73c16418a23426003d04f27.jpg?itok=uupMp9u7", "mfid": "11e81abfa73c16418a23426003d04f27", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "封神榜入行", "desc": "<div>1964李美彌考入世新新聞專科學校(即世新大學)廣播電視科,畢業後隨即參與電影製作。</div><div><br></div><div>1969年初,因友人介紹,李美彌加入日本導演山內鐵也(1934-2010,左2)《封神榜》的劇組擔任場記。剛開始連打板都不會,在導演的嚴格要求下,李美彌從打板的基礎開始學習,什麼樣的鏡頭,場記板要擺在哪裡,加上日本人做事仔細,她也學了不少本事。至今李美彌仍稱山內導演為 「電影啟蒙的老師」。</div><div><br></div><div>時隔多年,山內導演曾再度來台灣拍片,當時想再找李美彌合作,有人告訴他李美彌已經是有名的導演!山內提議掛雙導演,可惜這部戲後來沒有拍成。</div>", "musicName": "無", "weight": 5, "musicText": "", "musicURL": "" }, "basic-tv3npanly7": { "id": "basic-tv3npanly7", "type": "basic", "sortable": true, "primaryObj": { "oid": 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"musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "花裙與場記", "desc": "<div>李美彌擔任《愛情一二三》場記時,在高雄澄清湖拍攝外景時的留影。</div><div><br></div><div>從李美彌捐贈的文物中,發現不少她早期擔任場記時穿著短裙的工作照。原來就學時李美彌曾天天穿著旗袍上課。進入電影圈後,李美彌儘管專注熱切的追求心中的夢想,對於穿著打扮也絲毫不馬虎,用心維持自己的外在形象。</div><div><br></div><div>當初家人極力反對,怕她在電影圈學壞也擔心她吃虧,因此初期李美彌是瞞著家人偷偷進入電影行業。直到三年後,父母發現她沒有改變,才終於重新接納。</div>", "musicName": "無", "weight": 6, "musicText": "", "musicURL": "" }, "basic-r15j5nowfp": { "id": "basic-r15j5nowfp", "type": "basic", "sortable": true, "primaryObj": { "oid": "3ac4ae82be2fa55292cc077099b5965f", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/717a44de128e895bce92599879cfdc7b.jpg?itok=ZaFdO2NU", "level": "primary", "title": "李美彌(工作照)", "desc": "導演李行(右1坐在軌道車上)及場記李美彌(後排站在軌道旁穿著花上衣戴墨鏡者)於電影《群星會》拍攝現場。(經2021年5月4日 訪談李美彌導演確認)\n照片背面手寫註記:李行導演。\n《群星會》是1970年上映,由為李行執導的國語片。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/717a44de128e895bce92599879cfdc7b.jpg?itok=j53HU4Gp", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/717a44de128e895bce92599879cfdc7b.jpg?itok=2cCsBwae", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/717a44de128e895bce92599879cfdc7b.jpg?itok=XXDs2M_m", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/717a44de128e895bce92599879cfdc7b.jpg?itok=VfrG1VfP", "mfid": "717a44de128e895bce92599879cfdc7b", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "李行與基本功", "desc": "<div>1970年,李美彌在《喜怒哀樂》劇組替李行(1930-2021)執導的〈哀〉擔任場記。之後她繼續協助李行導演拍攝《群星會》、《母與女》、《愛情一二三》等作品。</div><div><br></div><div>幾部戲拍完,李美彌對於李行導演的遠景、中景、近景的搭配,及移動鏡頭的運用都十分熟悉。後來自己當導演時,則力求在此基礎上突破,讓鏡頭隨著情緒流動而運動。</div><div><br></div><div>此為《群星會》拍攝現場,導演李行坐在軌道車上的木箱,站在畫面中央穿著花上衣、戴墨鏡的則是擔任場記的李美彌。</div>", "musicName": "無", "weight": 7, "musicText": "", "musicURL": "" }, "basic-83zc9twxrh": { "id": "basic-83zc9twxrh", "type": "basic", "sortable": true, "primaryObj": { "oid": "a8dd547ca273ca8fdddbc72784a8ce96", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/c7c8669a77eaf3c2aefc77459ecf775e.jpg?itok=5PpbJDXj", "level": "primary", "title": "李美彌(工作照)", "desc": "李美彌(發傳單者)在街頭協助電影《三朵花》發送傳單,拍攝地點為台北國際學舍前。(經2021年5月4日 訪談李美彌導演確認)\n照片背面手寫註記:在馬路發宣傳單。\n《三朵花》是1970年上映,由為陳耀圻執導,歸亞蕾、岳陽等主演的國語片。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/c7c8669a77eaf3c2aefc77459ecf775e.jpg?itok=H6Wx8iBb", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/c7c8669a77eaf3c2aefc77459ecf775e.jpg?itok=5xBlwsJx", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/c7c8669a77eaf3c2aefc77459ecf775e.jpg?itok=R6av87Au", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/c7c8669a77eaf3c2aefc77459ecf775e.jpg?itok=AO2Of480", "mfid": "c7c8669a77eaf3c2aefc77459ecf775e", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "初識歸亞蕾", "desc": "<div>1970年,當時還擔任場記的李美彌,幫忙陳耀圻導演在街上派發電影《三朵花》的傳單。</div><div><br></div><div>陳耀圻自美國返台發展電影事業,《三朵花》是他首部執導的劇情長片。李美彌沒有參與這部電影的製作,只是單純幫忙,在街頭發傳單也不是當時常見的宣傳手法。</div><div><br></div><div>因為這個契機,李美彌也認識了主演《三朵花》的歸亞蕾。</div>", "musicName": "無", "weight": 8, "musicText": "", "musicURL": "" }, "basic-35zw725fgg": { "id": "basic-35zw725fgg", "type": "basic", "sortable": true, "primaryObj": { "oid": "47190a1c3e9254c9ad70f60824995ae8", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/e12c1508671f21af0b79f643ca02f14b.jpg?itok=fc2sY90o", "level": "primary", "title": "《劍》現場工作照", "desc": "導演潘壘(左下角)、副導演李美彌(左側站立者)在電影《劍》的外景拍攝現場。拍攝地點為阿里山。(經2021年5月4日 訪談李美彌導演確認)\n照片背面手寫註記:\"劍\" 潘壘導演。\n1971年潘壘自組潘壘公司,創業作是由王羽主演的武俠片《劍》。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/e12c1508671f21af0b79f643ca02f14b.jpg?itok=PlX02tGf", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/e12c1508671f21af0b79f643ca02f14b.jpg?itok=8W0rHdAl", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/e12c1508671f21af0b79f643ca02f14b.jpg?itok=91OrKvAn", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/e12c1508671f21af0b79f643ca02f14b.jpg?itok=0EjlGSS9", "mfid": "e12c1508671f21af0b79f643ca02f14b", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "劍與茶山情歌", "desc": "<div>1971年潘壘(1926-2017)自組潘壘公司,創業作是由王羽主演的武俠片《劍》,該片在阿里山拍攝外景。擔任副導演的李美彌誇讚能寫小説也能寫劇本的潘壘導演,對影像考究優美,劇情絲絲入扣。</div><div><br></div><div>1973年李美彌參與由劉師坊(即劉壽華)執導、台灣第一部客語電影《茶山情歌》的拍攝。身為客家人,李美彌沒有收取薪酬,拍攝期間還同時擔任策劃和副導演。此片完成後,直到2008年才再度有以客語發音的電影《一八九五》上映。</div>", "musicName": "無", "weight": 9, "musicText": "", "musicURL": "" }, "basic-zbes0ltixa": { "id": "basic-zbes0ltixa", "type": "basic", "sortable": true, "primaryObj": { "oid": "90e138247b69b94bdb6d29c1ac6abe3e", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/0fd2b3e5eedfacbb29312de9b32bbdd0.jpg?itok=aCGXhoMW", "level": "primary", "title": "《森林之虎》現場工作照", "desc": "副導演李美彌(右1)與武術替身於外景拍攝地溪頭留影。(經2021年5月4日 訪談李美彌導演確認)\n照片背面手寫註記:\"森林之虎\"副導演 在溪頭。\n《森林之虎》由張佩成執導,經由《聯合報》1973年8月30日、1977年8月26日報導及《中華民國電影上映總目》確認,本片於1973年9月中旬於中部地區開拍,卻遲至1977年12月21日才正式上映。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/0fd2b3e5eedfacbb29312de9b32bbdd0.jpg?itok=0SD3wOlK", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/0fd2b3e5eedfacbb29312de9b32bbdd0.jpg?itok=08YvWqtX", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/0fd2b3e5eedfacbb29312de9b32bbdd0.jpg?itok=UMTqzb7U", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/0fd2b3e5eedfacbb29312de9b32bbdd0.jpg?itok=NEkdgmeM", "mfid": "0fd2b3e5eedfacbb29312de9b32bbdd0", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "森林之虎", "desc": "<div>1973年,李美彌再以副導演的身份協助張佩成導演完成《森林之虎》。本片描述泰雅族抗日的故事,由為台灣贏得第一面奧運獎牌的「亞洲鐵人」楊傳廣主演,女主角則是香港影星胡茵茵和楊愛華,外景選在森林茂密的南投溪頭等地拍攝。多年後,楊傳廣也在李美彌執導的《未婚媽媽》中驚鴻一瞥,飾演觀禮的嘉賓。</div><div><br></div><div>接著又擔任林峻峰、蔡式章導演的《唐山虎》及劉壽華導演民初動作片《女蛟龍》擔任副導演,李美彌自此也與主演《女蛟龍》的汪萍維繫了多年的友誼。</div>", "musicName": "無", "weight": 10, "musicText": "", "musicURL": "" }, "basic-12okfju7fm": { "id": "basic-12okfju7fm", "type": "basic", "sortable": true, "primaryObj": { "oid": "b6aeaff4ef63b47c8940d1038065aedb", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/0c8798d1b25c0ffceff66247d76d5bb8.jpg?itok=8y0Pyb9F", "level": "primary", "title": "《寒流》影集工作照", "desc": "導演徐一工(左1)、副導演李美彌(左2插腰者)、常楓(右側戴手銬者)於拍攝現場。\n照片背面手寫註記:寒流。\n《寒流》為1975年中國電影製片廠攝製之三台聯播電視劇。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/0c8798d1b25c0ffceff66247d76d5bb8.jpg?itok=SN19fCLd", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/0c8798d1b25c0ffceff66247d76d5bb8.jpg?itok=2-2RFES8", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/0c8798d1b25c0ffceff66247d76d5bb8.jpg?itok=6KoDMvBx", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/0c8798d1b25c0ffceff66247d76d5bb8.jpg?itok=sdEu01Sj", "mfid": "0c8798d1b25c0ffceff66247d76d5bb8", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "寒流", "desc": "<div>1974年中到1975年7月,李美彌協助徐一工導演拍攝電視連續劇《寒流》文革部分的場景,並擔任副導演。李美彌之前曾協助徐一工導演拍攝過兩部軍教片,深獲徐導演的信任,加上徐一工導演在劇中也有飾演一角。因此在李美彌保存的照片中,可以看到不少她在拍攝現場指揮的身影。</div><div><br></div><div>《寒流》是由中國電影製片廠製作的政治宣傳影集,自1972年起費時多年、並以16mm膠片拍攝,由四位導演和四位副導演合力完成。1976年1月12日起在台視、中視和華視以三台聯播的方式放送。</div>", "musicName": "無", "weight": 11, "musicText": "", "musicURL": "" }, "basic-dxtipmwzyq": { "id": "basic-dxtipmwzyq", "type": "basic", "sortable": true, "primaryObj": { "oid": "31e1d5f553b289cf21d9f57759909a45", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/36db5ca45a94fc61bed9610be7ea5668.jpg?itok=eEV-Hn9g", "level": "primary", "title": "《寒流》影集工作照", "desc": "導演徐一工(左)、副導演李美彌(右),此場景為台灣大學法學院(經2021年5月4日 訪談李美彌導演確認)。\n照片背面手寫註記:寒流。\n《寒流》為1975年中國電影製片廠攝製之三台聯播電視劇。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/36db5ca45a94fc61bed9610be7ea5668.jpg?itok=1IUvncl_", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/36db5ca45a94fc61bed9610be7ea5668.jpg?itok=qd_VJt8i", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/36db5ca45a94fc61bed9610be7ea5668.jpg?itok=-oJzp8B8", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/36db5ca45a94fc61bed9610be7ea5668.jpg?itok=Oh6_9wfp", "mfid": "36db5ca45a94fc61bed9610be7ea5668", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "寒流", "desc": "1976年末,中國電影製片廠將《寒流》重新剪輯為兩小時電影版《香花與毒草》,並因此榮獲同年度第13屆金馬獎「最具表現時代意義特別獎」,主角之一的常楓榮獲最佳男主角。李美彌因參與《寒流》拍攝,而獲得中國電影製片廠頒贈的紀念獎座。", "musicName": "無", "weight": 12, "secondaryObj": { "level": "secondary", "oid": "70283ec5c534d42fce6c30fa21d1b7e8", "title": "李美彌《寒流》製作紀念獎座", "desc": "中國電影製片廠製作的紀念小獎座。\n上方是中國電影製片廠的標誌,獎座上寫著 「李美彌小姐參加 寒流影集 製作紀念 中國電影製片廠敬贈 民國六十五年四月三十日」。\n\n《寒流》是由中國電影製片廠製作的政治宣傳影集。自1972年起費時多年拍攝,1976年1月12日起在台視、中視、華視以連播方式播出。之後中製廠將《寒流》濃縮剪輯成電影 《香花與毒草》,並於第13屆金馬獎榮獲最具表現時代意義特別獎,在劇中飾演匪幹的常楓也因該片榮獲該屆最佳男主角。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/003533d114bfee3905dfdcace3f2879f.jpg?itok=79AsGsU2", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/003533d114bfee3905dfdcace3f2879f.jpg?itok=AD7XVwuT", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/003533d114bfee3905dfdcace3f2879f.jpg?itok=2jx18KIJ", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/003533d114bfee3905dfdcace3f2879f.jpg?itok=OJK8nAEp", "mfid": "003533d114bfee3905dfdcace3f2879f", "musicURL": "", "musicName": "", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/003533d114bfee3905dfdcace3f2879f.jpg?itok=_ufFoiFg", "fileType": "image", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "musicText": "", "musicURL": "" }, "basic-gs7s15whnt": { "id": "basic-gs7s15whnt", "type": "basic", "sortable": true, "primaryObj": { "oid": "e4a37882e2f3ddde3b2a1299644e3671", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/5aeebc9cb2421a71d517289947048d7f.jpg?itok=yEmJltPN", "level": "primary", "title": "台視《電視周刊》第659期(草地人)/台視《電視周刊》第659期_1", "desc": "台視文化公司發行的《電視周刊》第659期,民國64/05/26出版,封面是《草地人》女主角羅珊。\n內有台視閩南語連續劇《草地人》、李美彌相關報導(第16-25頁)及《草地人》彩色劇照(第58頁)。\n\n※1975年5月12日《聯合報》第8版報導提及,「草地人」閩南語連續劇,將自今天中午起在台視播出,劇中還特別請到了一位外國小姐演主角戲,其他演員有石松、侯傑、司馬玉嬌、易原、倪敏然等。 \n\n※1975年6月10日《聯合報》第8版報導提及,「美國草地人」羅珊,報名參加今年端節在台南市運河舉行的龍舟大賽。 羅珊是來華留學的美國密歇根大學學生,目前正在台視「草地人」連續劇中飾演草根大使;她在華苦學中國話,志在做一名女外交官。\n\n※1975年10月13日《聯合報》第9版報導提及,台視連續劇「美國草地人」的女主角羅珊,昨天坐飛機,回她密西根老家去了。 在「美」劇裡,她演一位留華的女學生;事實上,她是現身說法。不久前,她在台灣大學研習中國語文告一段落。 羅珊臨走前說,她將在密西根繼續攻讀中國文學課程;學成後再回台灣來。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/5aeebc9cb2421a71d517289947048d7f.jpg?itok=aKhxJikN", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/5aeebc9cb2421a71d517289947048d7f.jpg?itok=PTN4O10S", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/5aeebc9cb2421a71d517289947048d7f.jpg?itok=0VkN5LeU", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/5aeebc9cb2421a71d517289947048d7f.jpg?itok=dT7CUYl1", "mfid": "5aeebc9cb2421a71d517289947048d7f", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "草地人", "desc": "<div>1975年,李美彌進入台視工作。</div><div><br></div><div>當年四健會的「國際農村青年交換計畫」,選派青年擔任「草根大使」前往不同國家觀摩農業生產技術發展的情況。製作人葉明龍讀到「草根大使」的報導,加上農民的經歷和笑料後,將其發展成劇本。</div><div><br></div><div>經過幾輪選角,《美國草地人》的女主角由當時在台灣學華語的美國女大學生羅珊(Susan Rosegran)飾演,李美彌擔任《美國草地人》戲劇指導。由於其他演員慣用台語,因此拍攝時多由李美彌與羅珊溝通。李美彌記得羅珊很聰明,現場交流和表演都能以華語獨立表達。</div>", "musicName": "無", "weight": 13, "musicText": "", "musicURL": "" }, "basic-842guf4wk9": { "id": "basic-842guf4wk9", "type": "basic", "sortable": true, "primaryObj": { "oid": "efe51ef0f8a2bc7952d009d5c92edd53", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/6660431f91eaa29798e041c6aa1745e8.jpg?itok=XwU8-AgO", "level": "primary", "title": "《澎湖伯遊台灣》工作照", "desc": "陳國鈞(右2)、副導演李美彌(右3)、阿匹婆(右4)與《澎湖伯遊台灣》演職員於澎湖跨海大橋前合影。\n照片背面手寫註記:澎湖伯遊台灣。\n《澎湖伯遊台灣》為1976年於台灣電視公司播出之台語連續劇,播出後即改名為《好阿伯》。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/6660431f91eaa29798e041c6aa1745e8.jpg?itok=Wz5ssMUO", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/6660431f91eaa29798e041c6aa1745e8.jpg?itok=qP119BN3", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/6660431f91eaa29798e041c6aa1745e8.jpg?itok=imrSHQ-x", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/6660431f91eaa29798e041c6aa1745e8.jpg?itok=ftto3881", "mfid": "6660431f91eaa29798e041c6aa1745e8", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "好阿伯", "desc": "<div>1976年,李美彌緊接著又擔任電視連續劇《好阿伯》(原名《澎湖伯遊台灣》)的戲劇指導,這是繼《美國草地人》之後,李美彌再度與導播陳蒼嶺合作。</div><div><br></div><div>該劇由陳國鈞、阿匹婆等眾多受歡迎的演員演出。除了澎湖,還前往高雄、台南、嘉義、彰化及台中等地的著名景點拍攝外景,一時間成為街頭巷尾熱議的話題。<br><br></div>", "musicName": "無", "weight": 14, "secondaryObj": { "level": "secondary", "oid": "dec7020160867ebc15011053377c5abb", "title": "《澎湖伯遊台灣》現場工作照", "desc": "演員陳國鈞(左1)、副導演李美彌(左3,穿台視工作外套)於《澎湖伯遊台灣》拍攝現場(經2021年5月4日 訪談李美彌導演確認)。\n照片背面手寫註記:\"澎湖伯遊台灣\"。\n《澎湖伯遊台灣》為1976年於台灣電視公司播出之台語連續劇,播出後即改名為《好阿伯》。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/1f5670bdd30ee26802eb6a0ad6127c65.jpg?itok=cdHW0kSw", "thumbMediumURI": 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"basic", "sortable": true, "primaryObj": { "oid": "b6fd6775b8c0ef04e541a065f8041346", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/96d0491dc7c1740eca5baed84daf6027.jpg?itok=HrrahUx2", "level": "primary", "title": "菲律賓外景拍攝工作照", "desc": "李美彌前往菲律賓工作時,於當地留影。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/96d0491dc7c1740eca5baed84daf6027.jpg?itok=HN2bF81t", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/96d0491dc7c1740eca5baed84daf6027.jpg?itok=1m40rlQe", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/96d0491dc7c1740eca5baed84daf6027.jpg?itok=ZYPLWrfU", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/96d0491dc7c1740eca5baed84daf6027.jpg?itok=VUdMJomR", "mfid": "96d0491dc7c1740eca5baed84daf6027", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "經驗累積", "desc": "<div>李美彌的腳步沒有停歇。</div><div><br></div><div>1975-1977年間,協助中影拍攝國防部委託的如何辨識匪諜的宣教片,全片以16mm膠片拍攝,並前往香港、菲律賓等地取景。照片即為李美彌在菲律賓的留影。根據1980年3月 《聯合報》的報導,李美彌也曾協助中影拍攝觀光局委託的觀光社教片。</div><div><br></div><div>靠著這些工作,李美彌不僅快速累積各類影片製作的經驗,也在業界培養出好口碑。</div>", "musicName": "無", "weight": 15, "musicText": "", "musicURL": "" }, "basic-vpinq270rt": { "id": "basic-vpinq270rt", "type": "basic", "sortable": true, "primaryObj": { "oid": "2e2d8d2cca0ab173fce328d58f9a2855", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/1e56ec9f0e8ffc3325ecc8a8121956ec.jpg?itok=bYFy1DSK", "level": "primary", "title": "《驪歌》工作照", "desc": "李美彌(前左2)擔任電影《驪歌》副導演時,關心因拍攝受傷的歸亞蕾(前左1)。(經2021年5月4日 訪談李美彌導演確認)\n《驪歌》是1979年上映,由劉壽華執導、歸亞蕾主演的國語片。", "thumbURI": 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"<div>1978年,李美彌再度協助劉壽華導演拍攝《驪歌》,擔任策劃及部分副導演的工作。另外根據《民生報》報導,李美彌還代表製作公司協助洽談星馬地區的版權,買主是新加坡國泰機構。</div><div><br></div><div>此次也是李美彌和歸亞蕾第一次合作。</div><div><br></div><div>兩人熟識後,李美彌有感於女演員在電影界所受的限制,尤其是歸亞蕾當時不到35歲,卻只能在戲中飾演命運悲戚的媽媽、甚至是祖母的角色。因此李美彌決心要拍一部電影,讓歸亞蕾跳脫當時面臨的困境,扮演適合她本來年齡的角色。</div>", "musicName": "無", "weight": 16, "musicText": "", "musicURL": "" }, "basic-we3oz2lycj": { "id": "basic-we3oz2lycj", "type": "basic", "sortable": true, "primaryObj": { "oid": "7d7284ec0b6d9379c7c2e1ec7d92cd12", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/02d1ce125113c12f0070430cfe38355f.jpg?itok=Ir0t7mDI", "level": "primary", "title": "謙記影業公司商業登記相關資料", "desc": "此為1979年謙記影業公司(CHIAN KEE MOVIE PRODUCT CO.)在香港登記的商業登記證1張。原夾於《素蘭小姐要出嫁》分場對白劇本中。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/02d1ce125113c12f0070430cfe38355f.jpg?itok=JmB8raQ-", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/02d1ce125113c12f0070430cfe38355f.jpg?itok=KczthhQi", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/02d1ce125113c12f0070430cfe38355f.jpg?itok=xI1uhlNU", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/02d1ce125113c12f0070430cfe38355f.jpg?itok=-7I2-wMr", "mfid": "02d1ce125113c12f0070430cfe38355f", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "著作權利所有", "fileDisableLink": "0", "fileOversize": false }, "title": "設立公司", "desc": "<div>李美彌經過十年闖蕩,非常希望能夠拍攝主導自己的作品,於是1979年4月2日,她在香港註冊成立「謙記(香港)影業公司」。</div><div><br></div><div>「謙記」取自李美彌導演的父親李循文先生的公司名稱,有時她會用父親的名字做出品人。在香港註冊主要是為了方便和香港演職人員合作、賣出影片版權、稅務等事宜。<br><br>1979年5月的《民生報》曾報導「謙記」是李美彌與歸亞蕾合作的公司,但事實並非如此。該報也在8月《未婚媽媽》招考女主角的消息時更正,謙記影業公司是由李美彌獨自擁有和經營。</div>", "musicName": "無", "weight": 17, "musicText": "", "musicURL": "" }, "theme-cxa57im7px": { "id": "theme-cxa57im7px", "type": "theme", "sortable": true, "primaryObj": { "oid": "d1510d13b582337e11f06b6e223b73f8", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/f66c26fd242767ba1a7746413fdb1ffb.jpg?itok=432vfGqh", "level": "primary", "title": "李美彌與歸亞蕾攝於香港彌敦道", "desc": "李美彌(右)、歸亞蕾(左),兩人為了《晚間新聞》拍攝籌資,前往香港洽談時在彌敦道的街頭留影。(經2021年5月4日 訪談李美彌導演確認)\n\n1980年完成的《晚間新聞》是由李美彌執導的國語片,當年並未在戲院上映。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/f66c26fd242767ba1a7746413fdb1ffb.jpg?itok=YJ7Gg2OA", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/f66c26fd242767ba1a7746413fdb1ffb.jpg?itok=L3QACcM2", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/f66c26fd242767ba1a7746413fdb1ffb.jpg?itok=yr5sfCpC", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/f66c26fd242767ba1a7746413fdb1ffb.jpg?itok=G5Divpem", "mfid": "f66c26fd242767ba1a7746413fdb1ffb", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "《未婚媽媽》一炮而紅", "desc": "<div>李美彌和歸亞蕾的合作始於1978年,兩人希望拍攝女性電影的消息不脛而走,吸引了許多新聞記者的目光。作爲獨立導演,李美彌原本為歸亞蕾量身定做的作品是《晚間新聞》,因故而先改拍《未婚媽媽》。</div><div>該片原編劇是邱剛健,但李美彌和編劇孫春華在情節上做了很大的改動。歸亞蕾在劇中扮演未婚媽媽中途之家的院長白夫人,另外還擔任策劃。兩人首次合作,《未婚媽媽》即創下出色的票房成績,可以説是一炮而紅。</div>", "musicName": "無", "weight": 18, "musicText": "", "musicURL": "" }, "basic-jtm1yca17l": { "id": "basic-jtm1yca17l", "type": "basic", "sortable": true, "primaryObj": { "oid": "61751f7fa01d26509eba5b93e0956932", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/814a9bedf51efc8a7660b8a59b8994d3.jpg?itok=gOMHcKYZ", "level": "primary", "title": "《素蘭小姐要出嫁》分場對白劇本/《素蘭小姐要出嫁》分場對白劇本(封面)", "desc": "《素蘭小姐要出嫁》分場對白本,鉛字印刷裝訂本(已除釘)。\n從人物表及劇情研判,《素蘭小姐要出嫁》即是1980年由李美彌所執導《未婚媽媽》的劇本。\n\n封面標題以燙金印刷,謙記(香港)影業公司、策劃:歸亞蕾、製片:馬漢英、編劇:孫春華、導演:李美彌。\n內含人物表,角色名稱上有謄寫演出的演員姓名。\n多處有修正或塗改,應是導演實際拍攝時所做的紀錄。第28~29頁之間夾有劇本對白手寫稿2張。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/814a9bedf51efc8a7660b8a59b8994d3.jpg?itok=6FMZCfsg", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/814a9bedf51efc8a7660b8a59b8994d3.jpg?itok=HEgF2F4Y", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/814a9bedf51efc8a7660b8a59b8994d3.jpg?itok=Q5dGG-Ke", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/814a9bedf51efc8a7660b8a59b8994d3.jpg?itok=zTrO9Rq4", "mfid": "814a9bedf51efc8a7660b8a59b8994d3", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "未婚媽媽", "desc": "<div>拍攝《未婚媽媽》之前,台灣新聞充斥著對於未婚媽媽的負面報導,比如對性和暴力的渲染。因此李美彌想拍一部鼓勵女性、同時提醒男性應負責的電影。</div><div><br></div><div>提交劇本時,有人提醒李美彌《未婚媽媽》這個片名可能被打回票。果然未能通過審查,於是李美彌將片名改為《素蘭要出嫁》再次送審,這次便順利通過。</div><div><br></div><div>作品完成後,因獲得當時行政院新聞局局長宋楚瑜的同意,才得以將片名改回《未婚媽媽》上映。</div>", "musicName": "無", "weight": 19, "musicText": "", "musicURL": "" }, "basic-8ldnm1sfmb": { "id": "basic-8ldnm1sfmb", "type": "basic", "sortable": true, "primaryObj": { "oid": "3cf01a5a6694d00552d2f0b14b785571", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/fd8bcdba981178b8e4df93b9cb7fa8d8.jpg?itok=ka2QZmPK", "level": "primary", "title": "《未婚媽媽》現場合照", "desc": "右起為龍君兒、張盈真、梁修身、歸亞蕾、華方。\n《未婚媽媽》是1980年上映,由李美彌執導的國語片。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/fd8bcdba981178b8e4df93b9cb7fa8d8.jpg?itok=sBT96sno", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/fd8bcdba981178b8e4df93b9cb7fa8d8.jpg?itok=Jza4HEtI", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/fd8bcdba981178b8e4df93b9cb7fa8d8.jpg?itok=EcnbAY6X", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/fd8bcdba981178b8e4df93b9cb7fa8d8.jpg?itok=V5dqxdt_", "mfid": "fd8bcdba981178b8e4df93b9cb7fa8d8", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "未婚媽媽", "desc": "<div>《未婚媽媽》尚未開拍前,就已經賣出星馬的海外版權,新加坡國泰電影機構提供非常優渥的條件,也未干預選角,讓首次執導劇情長片的李美彌減輕不少壓力。<br></div><div><br></div><div>李美彌原定由恬妞飾演《未婚媽媽》女主角,但幾經波折,開鏡已數度推遲,恬妞依然不見蹤影跑去接了別的戲,最後只能解約。重新甄選後,改由華方擔任女主角。原本以恬妞為主的劇本,也因演員陣容的更動而有所調整,《未婚媽媽》由華方、龍君兒、張盈真與歸亞蕾並列主角。</div><div><br></div><div>照片左起為:華方、歸亞蕾、梁修身、張盈真、龍君兒。</div>", "musicName": "無", "weight": 20, "musicText": "", "musicURL": "" }, "basic-ru9kfqbi4s": { "id": "basic-ru9kfqbi4s", "type": "basic", "sortable": true, "primaryObj": { "oid": "e11c2fdb1f3a675636acc91fd8b85eb4", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/e81abfa056c068e37b3a29a0c6005553.jpg?itok=8sXmstvh", "level": "primary", "title": "《未婚媽媽》工作照", "desc": "站立者右起為張盈真、王萊、歸亞蕾、華方、曹健、龍君兒。劇中張盈真飾演未婚媽媽張可欣、王萊與曹健飾演未婚媽媽小芃的雙親、歸亞蕾飾演未婚媽媽中途之家院長白夫人、華方飾演未婚媽媽小芃、龍君兒飾演未婚媽媽蔡文月,此為院長白夫人在跟小芃一家人介紹未婚媽媽中途之家的場景。\n《未婚媽媽》是1980年上映,由李美彌執導的國語片。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/e81abfa056c068e37b3a29a0c6005553.jpg?itok=FxdKv_ZX", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/e81abfa056c068e37b3a29a0c6005553.jpg?itok=F2pMy0hm", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/e81abfa056c068e37b3a29a0c6005553.jpg?itok=nd508RpE", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/e81abfa056c068e37b3a29a0c6005553.jpg?itok=GFVq6sew", "mfid": "e81abfa056c068e37b3a29a0c6005553", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", 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"右起為蕭昭發(即蕭大陸)、胡慧中、歸亞蕾。劇中歸亞蕾飾演服裝設計師林可青、蕭昭發飾演年輕園丁成東、胡慧中飾演在花圃工作的少女吳桂枝,此為成東陪桂枝到林可青經營的服裝設計公司試鏡的場景。\n1980年完成的《晚間新聞》是由李美彌執導的國語片,當年並未在戲院上映。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/30e4e990e3fa212a7d28f5cdeb729397.jpg?itok=q1eWbqD1", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/30e4e990e3fa212a7d28f5cdeb729397.jpg?itok=u19tnOMp", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/30e4e990e3fa212a7d28f5cdeb729397.jpg?itok=50F2OFOM", "background": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/30e4e990e3fa212a7d28f5cdeb729397.jpg?itok=8lm4mhgY", "mfid": "30e4e990e3fa212a7d28f5cdeb729397", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 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"https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1920/mcode/7ed22184fa284e4af994d7c32a03e1a1.jpg?itok=jslVvKAz", "mfid": "7ed22184fa284e4af994d7c32a03e1a1", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-05.png?itok=0rVBS4da", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "0", "fileOversize": false }, "title": "大情人與小跟班", "desc": "<div><br></div><div>《大情人和小跟班》在製作期間原名《吾妻正點》。</div><div><br></div><div>當時為中視基本演員的沈海蓉,因與李美彌私交甚篤,加上興趣使然,自願擔任本片的製片,拍攝時還到現場 「盯場」。李美彌說沈海蓉很細心,足以勝任製片的工作,但經過這一次的體驗,沈海蓉還是喜歡在幕前演出,之後再也沒有從事幕後工作。</div><div><br></div>", "musicName": "無", "weight": 51, "musicText": "", "musicURL": "" }, "basic-bq9pz5c3g9": { "id": "basic-bq9pz5c3g9", "type": "basic", "sortable": true, "primaryObj": { "oid": "25aa5c8c7952c580e552ee4e6dbaad10", "fileType": "image", "fileURI": 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"國家電影及視聽文化中心", "rightsLogo": "https://tfi.openmuseum.tw/files/muse_tfi/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示-非商業性-禁止改作", "fileDisableLink": "0", "fileOversize": false }, "title": "作家選集", "desc": "<div>1983年李美彌承製了中視的《金獎劇場 - 作家選集》單元劇集,她規劃改編一系列女作家的作品。曾在《女子學校》合作過的作家朱秀娟,再度為李美彌改編郭良蕙的〈感情的債〉及張漱函的〈七孔笛〉,另外還有孟瑤改編自己的〈窮巷〉。</div><div><br></div><div>其中〈感情的債〉由《晚間新聞》的攝影師陳榮樹擔任攝影,主題曲則是由史擷詠作曲、女主角沈海蓉演唱,這也是沈海蓉第一次為戲劇擔任幕後主唱。李美彌對製作水準深具信心,儘管最後僅完成6部作品,仍為《作家選集》奠下初步成功的基礎。</div><div><br></div><div>此為〈七孔笛〉盧碧雲與李美彌在拍攝現場的留影。</div>", "musicName": "無", "weight": 53, "musicText": "", "musicURL": "" }, "basic-453akkcr46": { "id": "basic-453akkcr46", "type": "basic", "sortable": true, "primaryObj": { "oid": "e8f833de31ed33f6757ca0b92fddcbae", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/ebd2ebbe1ff9913b39d6dd59128f4fdf.jpg?itok=beKtNQ-f", "level": "primary", "title": "中視連續劇《姊妹情》活動合照", "desc": "中國電視公司閩南語連續劇《姊妹情》劇組拉紅布條慶祝中視生日快樂的合影照。\n前排左起:蕭惠、金佩姍、江霞、楊貴媚,後排左起:導演李美彌、許家榮、劉林、小戽斗、-。\n\n※1991年10月5日《民生報》第12版報導提及,最近電視戲劇節目出現一種趨勢:閩南語劇愛用國語演員,國語劇中則常見台語演員的搶眼表現,這種情況使演員組合多變、充滿新鮮感,而國、台語雙聲帶演員,則在此趨勢中成為螢幕新寵。 中視剛開拍的閩南語劇「姐妹情」,把從未合作過的楊貴媚、江霞組合在一起,由於兩位女主角皆屬於雙聲帶演員,身上都有鄉土與幹練的特質,戲一開拍,楊貴媚、江霞都覺得對方「不作第二人想」,很自然就培養了默契。 江霞目前多數時候定居美國,這次應好友李美彌之邀再接戲,立刻成為眾製作人注意的目標,但江霞非好劇本不演;楊貴媚手上還有八點檔「草地狀元」在拍,嘉義、台北兩面軋,目前累得連喘氣時間都沒有。\n\n※1991年11月7日《民生報》第12版報導提及,中視今晚6點30分推出閩南語新戲「姐妹情」,該劇之後中視將以帶狀綜藝取代晚間閩南語檔,因此節目部特別在內容、卡司與品質上要求,寄望「姐妹情」能成為中視晚間閩南語劇的代表作品。 「女人絕非弱者」是「姐妹情」闡述的重點,透過江霞、楊貴媚飾演的姐妹花,寫實描述現代女性在遭遇感情與事業等困境時,所顯現的潛能與智慧。 目前三台閩南語劇大都脫離不了苦情、神怪與喜鬧3種模式,製作「姐妹情」的李美彌則認為,閩南語觀眾也有權欣賞反映社會、合情合理的細膩好戲,因此婚外情、小丈夫、黃昏之戀等社會現象,都循故事主線,隨主角遭遇陸續在劇中呈現了不同的冷暖世情。 江霞、楊貴媚以外,主要演員有許家榮、金佩姍、小戽斗,電影導演柯一正與久未演戲的劉林等人。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/ebd2ebbe1ff9913b39d6dd59128f4fdf.jpg?itok=9H5Pm-WA", "thumbMediumURI": 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"<div><div><br></div><div>1987-1998年之間,李美彌分別為華視、中視製作多部連續劇,包括《把她交給你》、《我的前半生》、《姐妹情》、《棋王》、《故鄉的歌》、《黑面陳的女兒》、《有緣來做伙》、《陰陽母子情》、《月老笑姻緣》、《良緣天注定》等。另外還拍攝由行政院文化建設委員會、中國電視公司聯合製作的「山海的子民」原住民系列報導。李美彌的導演功力頗受好評,這幾部作品的收視率和口碑也都相當不錯。</div><div><br></div><div>1999年李美彌前往中國工作。在電影公司做策劃,一方面擔任簽約導演。之後再協助中國團隊策劃古裝連續劇,直到70歲才想到退休。<br><br></div></div>", "musicName": "無", "weight": 54, "musicText": "", "musicURL": "" }, "basic-af2dsviuhp": { "id": "basic-af2dsviuhp", "type": "basic", "sortable": true, "primaryObj": { "oid": "70e14c7d02d4c59254f5ad12e783589f", "fileType": "image", "fileURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/w1024/mcode/30f85c811e60a10babc7fdb7b6d14b98.jpg?itok=PKF02_zk", "level": "primary", "title": "李美彌/《女子學校》現場工作照(數位上色)", "desc": "李美彌導演1946年春生於屏東潮州,是客家人,少女時代就讀屏東女子中學。1969年世界新聞專科學校(即世新大學)廣播電視科畢業後,當年冬天即加入日本導演山內鐵也(1934-2010)導演的《封神榜》(1969)劇組做場記,因此稱山内導演為電影啓蒙老師。翌年,在白景瑞、胡金銓、李行、李翰祥聯合執導的《喜怒哀樂》(1970)替李行導演的《哀》擔任場記。此後,她繼續作爲場記,協助李行導演拍攝了《群星會》(1970)、《母與女》(1971)、《愛情一二三》(1971),並學習了導演技巧。接著在潘壘執導、王羽主演的《劍》(1971),則擔任副導演。1973年她協助張佩成執導了《森林之虎》(1973),並協助劉師坊(即劉壽華)導演完成了台灣電影史上第一部客家電影《茶山情歌》(1973)。1973至1975年之間,李美彌為台製片厰以台北監獄爲背景拍攝了原生人故事。1975年她作爲副導演,協助徐一功導演拍攝了中製電視劇集《寒流》(1975),創下當年的收視紀錄。隨後作爲副導演,為軍法處拍攝兩部16毫米軍教劇情電影。同年她進入台視任戲劇指導,拍攝了劇集《美國草地人》(1975)和《好阿伯》(1976),成為當時台視最年輕的導演。1977年國防部委托中影拍攝16毫米宣教片,李美彌擔任導演並在台北、香港、菲律賓等地拍攝。1979年她為劉壽華導演的電影《驪歌》做策劃,實際做了不少副導演的工作,結識了在片中扮演奶奶的歸亞蕾。\n\n\n1980年代初,李美彌作爲獨立製片人,執導了三部劇情長片,可稱八十年代初的「台灣都市女性三部曲」。這三部作品帶有明確的作者風格,構圖簡練大膽,鏡頭切換流暢,女性角色性格鮮明、豐富,情節中蘊含「女性烏托邦」式的理想主義溫情。《未婚媽媽》(1980)、《晚間新聞》(1981)、《女子學校》(1982)分別聚焦十幾歲、二十幾歲和三十幾歲的女性,給台灣的電影留下三個標本式的「女性電影」:從女性視點出發,關注女性的困境,塑造了女性群像。值得一提的是,這三部電影都由她本人在香港註冊的謙記(香港)影業公司出品,拍攝資金大部分來自新馬放映權的預售。雖然每部影片美彌只掛「導演」一職,但事實上她參與了劇本創作,並且在拍攝時確保鏡頭運動跟隨演員情感表達,突破了老一輩導演近景-中景-遠景的基本模式。1985年,李導演以包拍的方式,為大大影業公司執導了《大情人與小跟班》,由周丹薇和鍾鎮濤,並啓用在拍攝單元劇《作家劇場》時結識的演員沈海榮擔任監製,當時還登上新聞。\n\n\n作爲進入電視行業較早的職業導演,美彌在八、九十年代已成為三大電視台八點檔主力導演之一。中視的《作家劇場》(1983),華視的《把她交給你》(1987,金鐘獎最佳女主角),華視的《我的前半生》(1988)、《我愛的是你》(1989)和《永恆的羽翼》(1989),中視的《姐妹情》(1991)和《棋王》(1991),華視的《故鄉的歌》(1993)和《黑面陳的女兒》(1995),中視的《陰陽母子情》(1997)都有不錯的口碑和收視率。她還執導了文建會出資、中視播出的原住民題材電視紀錄片《山海的子民》(1995)。在完成中視的《陰陽母子情》(1997)後,她導演了午間連續劇《月老笑姻緣》(1998),收視率連創佳績。華視也緊接著邀請她拍攝連續劇《良緣天註定》(1998)。\n\n1999年李美彌導演前往中國工作,曾在福州的電影公司做策劃,一方面作爲簽約導演,完成了作品《情緣》(2000)、《問情》(2001)、《秋潮向晚天》(2002),其專業精神和素養為創作團隊稱贊,但因故都沒有在劇中打出導演的名字。另一方面,美彌幫助中國團隊策劃古裝連續劇,介紹台灣編劇進入中國的電視劇組。作爲中台合拍電視劇策劃,成功完成的劇集有2013年拍完的《陸小鳳與花滿樓》,該劇2015年初起陸續由深圳衛視、香港無綫電視、新加坡新傳媒8頻道等電視台播出。\n\n2019年秋,李美彌將保存多年的劇照和工作照相冊、拍攝用的劇本、宣傳單張和海報、公司註冊文件等難得一見的珍貴資料,捐贈給國家電影及視聽文化中心。2020年,影視聽中心完成《未婚媽媽》、《晚間新聞》、《女子學校》三部作品的數位修復。透過美彌導演捐贈的藏品,參照當年的報刊報導,我們對於台灣五十年來影視發展狀況,也終於有了第一套較為完整的、來自女導演的材料!其中的意義,還需要未來的研究者再深入發掘。(作者:魏時煜)", 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"<div>作為研究者和紀錄片導演,在訪談過程中,我會針對製作前期、中期、後期提出許多疑問。李美彌導演總是親切且不厭其煩地解說,讓我瞭解當時電影製作的流程分工及她創作的思路。</div><div><br></div><div>談起最喜歡、最投入的,永遠都是以女性為題材的作品。從她執導的三部電影,《作家選集》的〈感情的債〉、〈窮巷〉、〈七孔笛〉及著重表現女性人物的《我的前半生》、《姊妹情》、《面黑陳的女兒》等。當中還包含著她和女作家們,特別是和朱秀娟、孟瑤之間相互理解與支持。</div><div><br></div><div>2020年,國家影視聽中心完成《未婚媽媽》、《晚間新聞》、《女子學校》三部作品的數位修復,讓我們可以透過李導演寫實的鏡頭,看到80年代的台灣風貌,及那個年代的衣著打扮、生活方式。更難得的是,透過李美彌溫柔而知性的目光,我們看到各個年齡層的台灣人的精神風貌,特別是女性的群像,實可謂彌足珍貴。</div>", "musicName": "無", "weight": 55, "musicText": "", "musicURL": "" }, "embed_html-mqf00l9tic": { "id": "embed_html-mqf00l9tic", "type": "embed_html", "sortable": true, "weight": 56, "embed_html": "<img src=\"https://tfi.openmuseum.tw/files/muse_tfi/cover_pic/PP-0000064871-157-720.jpg\" with=\"600\" heigh=\"400\" >\n\n<div class=\"read-more text-center\"><a class=\"btn\" href=\"https://tfi.openmuseum.tw/objects?_text_=%E6%9D%8E%E7%BE%8E%E5%BD%8C\" target=_blank>更多李美彌捐贈藏品</a></div>" }, "text-gvpbl78393": { "id": "text-gvpbl78393", "type": "text", "sortable": true, "musicName": "無", "weight": 57, "title": "參考資料", "desc": "<div>▪ 陳明珠,《談臺灣新生代女導演的經驗主體性與影像敘事文》,見《當代電影》。</div><div><br></div><div>▪ 黃寤蘭,〈女性雜誌一系列報導「未婚媽媽」女導演李美彌拿它當處女作題材〉,見《聯合報》1980/3/19。</div><div><br></div><div>▪ 丘湄,阮順成攝影,〈女中丈夫李美彌有著新思想 固守舊道德〉,報刊名待確認。</div><div><br></div><div>▪ 薑靜繪,〈等待另一種可能的愛—晚間新聞導演李美彌的話〉,《世界電影》第147期,1980年12月至1981年1月,84-85頁。</div><div><br></div><div>▪ 黃佳華,〈不像導演的導演—與「女子學校」女導演李美彌一席談〉,《新明日報》1982/10/1。</div><div><br></div><div>▪ 羅蘭,〈我看「女子學校」〉,《民生報》1982/10/28,10。</div><div><br></div><div>▪ 焦雄屏,〈由「女子學校」談起〉,《聯合報》1982/10/29,9。</div><div><br></div><div>▪ 江美萱,《新女性的復仇:社會寫實電影中的色情、越界與批判》,見《藝術學研究》第23期(2018),頁 99-125。</div><div><br></div><div>▪ 林杏鴻,《叫喊「開麥拉」的女性─台灣商業片女導演及其作品研究》,國立成功大學藝術學研究所碩士論文。台南:國立成功大學,1999。</div><div><br></div><div>▪ 林世強,《是誰型塑台灣電影的調性? ―從網絡分析著手》,見《中華傳播學刊》第25期(2014),223-249頁。</div><div><br></div><div>▪ 劉亞玉,《90年代臺灣女導演電影》。</div><div><br></div><div>▪ 唐棠,〈且把李美彌分鏡頭,看她腦袋裏面是甚麽?〉,見《銀色世界》1982年第9期,57頁。</div><div><br></div><div>▪ 王志成,〈台灣女導演影展影圖館開麥拉配合〉,《民眾日報》2003-03-08。</div><div><br></div><div>▪ 王君琦,〈在影史邊緣漫舞︰重探《女子學校》、《孽子》、《失聲畫眉》〉,《文化研究》第二十期,2015年春季,11-52。</div><div><br></div><div>▪ 王君琦,〈看見她的身影:李美彌的非典女性三部曲〉,《看得見的記憶—二十二部電影裏的臺灣電影史》,295-309。</div><div><br></div><div>▪ 魏時煜,〈百年女性銀幕形象的嬗變〉,楊遠嬰主編《電影文化史》,北京:中國電影出版社,2005,644-720。</div><div><br></div><div>▪ 魏時煜,楊遠嬰,《女性的電影:對話中日女導演》。上海:華東師範大學出版社,2009。</div><div><br></div><div>▪ 魏時煜,《東西方電影》(增訂版)。香港:香港城市大學出版社,2016。</div><div><br></div><div>▪ 魏時煜,〈追蹤 導演與文學改編〉 ,《明報》2018-03-18,P06-07,星期日文學。</div><div><br></div><div>▪ 曾秀萍,《女女同盟:《失聲畫眉》的情欲再現與性別政治》,見《臺灣文學研究雧刊》第22期(2019), 25-52頁。</div><div><br></div><div>▪ 楊士琪,〈外國影評人眼中國片漸成氣候 新銳導演成長,國片引起外界注意 鄉土題材受寵,反映現實仍需加強〉,《民生報》1983/7/27。</div><div><br></div><div>▪ 之心,〈電影景氣未恢復,千萬導演紛紛開拍小電影〉,《電視週刊》,101-105頁。</div><div><br></div><div>▪ 新月日報訊,〈台女導演與記者高愛倫來我國考察並聯袂到本報訪問〉,見《新月日報》 1982/11/25。</div>", "musicText": "", "musicURL": "" }, "thanks": { "id": "thanks", "type": "thanks", "sortable": false, "thanksList": { "國家電影及視聽文化中心": { "rights": "國家電影及視聽文化中心", "rightsLogo": 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中視剛開拍的閩南語劇「姐妹情」,把從未合作過的楊貴媚、江霞組合在一起,由於兩位女主角皆屬於雙聲帶演員,身上都有鄉土與幹練的特質,戲一開拍,楊貴媚、江霞都覺得對方「不作第二人想」,很自然就培養了默契。 江霞目前多數時候定居美國,這次應好友李美彌之邀再接戲,立刻成為眾製作人注意的目標,但江霞非好劇本不演;楊貴媚手上還有八點檔「草地狀元」在拍,嘉義、台北兩面軋,目前累得連喘氣時間都沒有。\n\n※1991年11月7日《民生報》第12版報導提及,中視今晚6點30分推出閩南語新戲「姐妹情」,該劇之後中視將以帶狀綜藝取代晚間閩南語檔,因此節目部特別在內容、卡司與品質上要求,寄望「姐妹情」能成為中視晚間閩南語劇的代表作品。 「女人絕非弱者」是「姐妹情」闡述的重點,透過江霞、楊貴媚飾演的姐妹花,寫實描述現代女性在遭遇感情與事業等困境時,所顯現的潛能與智慧。 目前三台閩南語劇大都脫離不了苦情、神怪與喜鬧3種模式,製作「姐妹情」的李美彌則認為,閩南語觀眾也有權欣賞反映社會、合情合理的細膩好戲,因此婚外情、小丈夫、黃昏之戀等社會現象,都循故事主線,隨主角遭遇陸續在劇中呈現了不同的冷暖世情。 江霞、楊貴媚以外,主要演員有許家榮、金佩姍、小戽斗,電影導演柯一正與久未演戲的劉林等人。", "thumbURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/square_thumbnail_100/mcode/ebd2ebbe1ff9913b39d6dd59128f4fdf.jpg?itok=9H5Pm-WA", "thumbMediumURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_medium/mcode/ebd2ebbe1ff9913b39d6dd59128f4fdf.jpg?itok=43pHuL_g", "thumbBigURI": "https://tfi.openmuseum.tw/files/muse_tfi/muse_styles/thumbnail_big/mcode/ebd2ebbe1ff9913b39d6dd59128f4fdf.jpg?itok=obQIbfwd", "background": 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"李美彌導演1946年春生於屏東潮州,是客家人,少女時代就讀屏東女子中學。1969年世界新聞專科學校(即世新大學)廣播電視科畢業後,當年冬天即加入日本導演山內鐵也(1934-2010)導演的《封神榜》(1969)劇組做場記,因此稱山内導演為電影啓蒙老師。翌年,在白景瑞、胡金銓、李行、李翰祥聯合執導的《喜怒哀樂》(1970)替李行導演的《哀》擔任場記。此後,她繼續作爲場記,協助李行導演拍攝了《群星會》(1970)、《母與女》(1971)、《愛情一二三》(1971),並學習了導演技巧。接著在潘壘執導、王羽主演的《劍》(1971),則擔任副導演。1973年她協助張佩成執導了《森林之虎》(1973),並協助劉師坊(即劉壽華)導演完成了台灣電影史上第一部客家電影《茶山情歌》(1973)。1973至1975年之間,李美彌為台製片厰以台北監獄爲背景拍攝了原生人故事。1975年她作爲副導演,協助徐一功導演拍攝了中製電視劇集《寒流》(1975),創下當年的收視紀錄。隨後作爲副導演,為軍法處拍攝兩部16毫米軍教劇情電影。同年她進入台視任戲劇指導,拍攝了劇集《美國草地人》(1975)和《好阿伯》(1976),成為當時台視最年輕的導演。1977年國防部委托中影拍攝16毫米宣教片,李美彌擔任導演並在台北、香港、菲律賓等地拍攝。1979年她為劉壽華導演的電影《驪歌》做策劃,實際做了不少副導演的工作,結識了在片中扮演奶奶的歸亞蕾。\n\n\n1980年代初,李美彌作爲獨立製片人,執導了三部劇情長片,可稱八十年代初的「台灣都市女性三部曲」。這三部作品帶有明確的作者風格,構圖簡練大膽,鏡頭切換流暢,女性角色性格鮮明、豐富,情節中蘊含「女性烏托邦」式的理想主義溫情。《未婚媽媽》(1980)、《晚間新聞》(1981)、《女子學校》(1982)分別聚焦十幾歲、二十幾歲和三十幾歲的女性,給台灣的電影留下三個標本式的「女性電影」:從女性視點出發,關注女性的困境,塑造了女性群像。值得一提的是,這三部電影都由她本人在香港註冊的謙記(香港)影業公司出品,拍攝資金大部分來自新馬放映權的預售。雖然每部影片美彌只掛「導演」一職,但事實上她參與了劇本創作,並且在拍攝時確保鏡頭運動跟隨演員情感表達,突破了老一輩導演近景-中景-遠景的基本模式。1985年,李導演以包拍的方式,為大大影業公司執導了《大情人與小跟班》,由周丹薇和鍾鎮濤,並啓用在拍攝單元劇《作家劇場》時結識的演員沈海榮擔任監製,當時還登上新聞。\n\n\n作爲進入電視行業較早的職業導演,美彌在八、九十年代已成為三大電視台八點檔主力導演之一。中視的《作家劇場》(1983),華視的《把她交給你》(1987,金鐘獎最佳女主角),華視的《我的前半生》(1988)、《我愛的是你》(1989)和《永恆的羽翼》(1989),中視的《姐妹情》(1991)和《棋王》(1991),華視的《故鄉的歌》(1993)和《黑面陳的女兒》(1995),中視的《陰陽母子情》(1997)都有不錯的口碑和收視率。她還執導了文建會出資、中視播出的原住民題材電視紀錄片《山海的子民》(1995)。在完成中視的《陰陽母子情》(1997)後,她導演了午間連續劇《月老笑姻緣》(1998),收視率連創佳績。華視也緊接著邀請她拍攝連續劇《良緣天註定》(1998)。\n\n1999年李美彌導演前往中國工作,曾在福州的電影公司做策劃,一方面作爲簽約導演,完成了作品《情緣》(2000)、《問情》(2001)、《秋潮向晚天》(2002),其專業精神和素養為創作團隊稱贊,但因故都沒有在劇中打出導演的名字。另一方面,美彌幫助中國團隊策劃古裝連續劇,介紹台灣編劇進入中國的電視劇組。作爲中台合拍電視劇策劃,成功完成的劇集有2013年拍完的《陸小鳳與花滿樓》,該劇2015年初起陸續由深圳衛視、香港無綫電視、新加坡新傳媒8頻道等電視台播出。\n\n2019年秋,李美彌將保存多年的劇照和工作照相冊、拍攝用的劇本、宣傳單張和海報、公司註冊文件等難得一見的珍貴資料,捐贈給國家電影及視聽文化中心。2020年,影視聽中心完成《未婚媽媽》、《晚間新聞》、《女子學校》三部作品的數位修復。透過美彌導演捐贈的藏品,參照當年的報刊報導,我們對於台灣五十年來影視發展狀況,也終於有了第一套較為完整的、來自女導演的材料!其中的意義,還需要未來的研究者再深入發掘。(作者:魏時煜)", 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"<div>特別感謝</div><div>蔣經國基金為魏時煜、桑梓蘭的研究項目「台灣電影工業中的女導演」提供資助,並感謝黃玉珊導演、林杏鴻博士、薛惠玲女士的大力協助。</div><div><br></div><div>李美彌訪問拍攝錄音:陳雨茗、張維藩</div><div>李美彌簡介研究助理:金&nbsp; &nbsp; 晨</div><div>藏品圖片之數位修復:盧心洋</div>", "weight": 58 } }
來源
國家電影及視聽文化中心
魏時煜國家電影及視聽文化中心